The Attic (a name which commemorates our first physical location) is, first and foremost, a site for the research students of the School of Museum Studies at the University of Leicester: a virtual community which aims to include all students, be they campus-based and full-time, or distance-learning and overseas. But we welcome contributions from students of museum studies - and allied subject areas - from outside the School and from around the world. Here you will find a lot of serious stuff, like exhibition and research seminar reviews, conference alerts and calls for papers, but there's also some 'fluff'; the things that inspire, distract and keep us going. After all, while we may be dead serious academic types, we're human too.

Saturday, January 15, 2011

CFP: Stuff

Stuff, the meanings of materials.
The Parsons/Cooper-Hewitt Graduate Student Symposium on the Decorative Arts and Design

April 28 and 29, 2011, Cooper-Hewitt, National Design Museum, New York

We invite papers dealing with the stuffs things are made of. How is meaning resident in materials? We especially seek papers that explore the uses of engineered materials or the dialectic of the natural and the artificial.

The symposium will feature a keynote address by Dr. Christopher Wilk, of the Victoria and Albert Museum, London: "Thinking about Materials: A Case Study in Plywood."

Materials can signify a connection to a long tradition or a break from the past, a hand-worked substance or an industrially produced one. They speak to design ethics and the relationship between makers and their environments, between production and natural resources. A designer or artisan can choose to be guided by the natural quality of a material, or to flout it. Some materials have invariable properties and forms, others are infinitely malleable. Man-made material can be camouflaged as imitations of natural materials, or celebrated for their unique properties.

Possible areas of exploration might include:
* Materials analysis in connoisseurship
* Guilds, guild rules and boundaries between materials
* Materials and national self-image
* The Rhetoric of "honesty" or "dishonesty" in design
* Inexpensive substitutes
* Plasticity, form and formlessness
* Ecological damage or its mitigation
* New museological approaches to the exhibition of materials


Sponsored by the MA Program in the History of Decorative Arts & Design offered jointly by Cooper-Hewitt, National Design Museum and Parsons The New School for Design

Send a two-page abstract, one-page bibliography and a c.v. to:
Dr. Ethan Robey
Associate Director MA Program in the History of Decorative Arts & Design
robeye@si.edu

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