The Heritage Theater. The dynamics of cultural heritage in a globalizing world
Rotterdam Conference on Globalisation and Cultural Heritage
Erasmus University Rotterdam
May 13-15 2009
In the nineteenth and early twentieth centuries, organizations for the preservation of heritage were founded as part of European national cultural policy, in countries colonized by the West, and in independent states outside Europe. In this sense, heritage institutions are early examples of cultural export on a global scale. The export of heritage concepts, heritage formats, and heritage knowledge from the West to other countries and vice versa is still going on, not only in traditional, well-tried ways, but also in other formats, like theme parks, games and internet sites. Similarly, in non-Western countries various other ways of protecting and presenting cultural heritage have developed over the last few decades. Institutions such as cultural centres and community centers displaying cultural heritage have no counterparts in Western countries. In the last decades, heritage institutions work together on a global scale. The perception of a shared past created new forms of cooperation between institutions in different nations and the legitimacy of traditional local museums was challenged by the migration of new, sometimes
transnational oriented communities.
The current interest in cultural heritage is also the result of the growing demand on the part of international tourism for places with a cultural heritage that can be experienced as part of leisure activities. All over the world, countries are beginning to realize the economic benefits of tourism, and searching for possibilities to expand tourism. Today, the interest in cultural heritage is global and diverse. Indeed, it is no longer correct to speak of a single audience, since cultural heritage visitors have different backgrounds and different expectations. The growing exchange of information between individual heritage institutions, and between those institutions and the public, is part of a global process that makes use of interconnected information networks.
The Department of Cultural Studies, Faculty of History and Arts, Erasmus University Rotterdam, is the location of two research programmes, 'Globalization and Cultural Heritage' and 'Community Museums Past & Present', funded by NWO (Dutch Science Foundation) and the Dutch VSB Foundation. See for more information http://www.fhk.eur.nl/english/globalisation_and_cultural_heritage/ and http://www.fhk.eur.nl/english/communitymuseums/
The first research project is now coming to an end, the latter will start at 01-01-09. To conclude the first and to launch the second project, the Department is planning an international conference on the effects and causes of globalization and cultural heritage, 'The Heritage Theater. The dynamics of cultural heritage in a globalizing world' at Rotterdam, May 13-15, 2009. Subthemes will be the impact of tourism and the internet on cultural heritage and the institutional arena.
We invite researchers on globalization and cultural heritage to send us abstracts for papers to present at this conference. Abstracts (max. 300 words)can be send until December 15, 2008, to firstname.lastname@example.org
For more information about this conference, please contact me:
Prof. Dr. Marlite Halbertsma
Faculty of History and Arts
Erasmus University Rotterdam
P.O. Box 1738
NL 3000 DR Rotterdam
tel. + 31 10 4082444
tel + 31 6 15126083
fax + 31 10 4089135
The Attic (a name which commemorates our first physical location) is, first and foremost, a site for the research students of the School of Museum Studies at the University of Leicester: a virtual community which aims to include all students, be they campus-based and full-time, or distance-learning and overseas. But we welcome contributions from students of museum studies - and allied subject areas - from outside the School and from around the world. Here you will find a lot of serious stuff, like exhibition and research seminar reviews, conference alerts and calls for papers, but there's also some 'fluff'; the things that inspire, distract and keep us going. After all, while we may be dead serious academic types, we're human too.