This turned up on the GEM list this morning, obviously museums are the next big thing in Tv-land. There are a few errors in the information (for example Martin Clunes' character is first called Bennett then Jones) but apparently we can expect to see this on TV in the near future.
The Man Who Lost His Head
ITV (UK) & TV One (NZ)
THE MAN WHO LOST HIS HEAD is a light-hearted contemporary telefeature focusing on Ian Bennet, a repressed British museum curator (played by well-known actor Martin Clunes), whose life is turned upside down when he is sent across the world to return an ancient Maori carving to the small fictional New Zealand town of Otakataka on the west coast of Northland.
Straitlaced Museum Curator Ian Jones (Clunes) is about to marry his boss's daughter, Fiona (Caroline Harker). Preparations are underway and Fiona is already drawing up seating plans. So when a repatriation claim comes into the museum for a Maori carving to be returned to a remote corner of New Zealand, Ian isn't keen to be given the job, particularly when he understands what a delicate case it is. The Ministry has told the museum to be sympathetic to the claim, and while the museum director has agreed to do this, he has no intention of letting the piece go back.
Such a job needs an experienced pair of hands. The promotion that Ian has long worked for is dangled before him as reward, and he knows he can't say no. Meanwhile, out in New Zealand a very determined Maori community is waiting for him.
The carving in question is of an old Maori chief's son who went over to England in 1860 to buy arms. But the son was seduced and kept by a lady aristocrat and never allowed to return. In desperation, he carved a head of his own likeness and sent it back to watch over his father's people, but it was lost on the way. Since then, it's as if this remote Maori community has been cursed, and having at last traced the head to the museum in England, the people are intent on getting it back in place on their marae – the village sacred house - where it belongs. Only then will their luck return.
But then Ian arrives with his hidden agenda, and his bureaucratic reasons for rejecting their claim. The marae, he says, is an inadequate building to house such a precious artifact: no security, no access. Zac (Calvin Tuteao), the purist who first traced the head, is enraged: the head is sacred and must be housed in marae. He and the other elders manage to delay Ian's return while they prepare an appeal. It's just long enough for hard-hearted Ian to become seduced by his new surroundings. He teaches in the primary school; he drives the local bus; he becomes absorbed with the ancient myths; and all the while he knows he's falling for a Maori woman named Lollie (Nicola Kawana).
The Man Who Lost His Head is the story of a very pale fish, getting very much out of his depth. It follows Bennet from the dusty back-rooms of the British Imperial Museum to a small Kiwi town for whom the return of the likeness of Takataka is the single biggest event since the real thing left almost 200 years ago.
Ian MARTIN CLUNES
Lollie NICOLA KAWANA
Uncle Hohepa TE PAKI CHERINGTON
Fiona Harrison CAROLINE HARKER
Nigel Harrison JOHN CALLEN
Zac CALVIN TUTEAO
Executive Producer JILL GREEN
Executive Producer JOHN BARNETT
Producer EVE GUTIERREZ
Writer MARK WALLINGTON
Director TERRY JOHNSON
DOP DAVID ODD (BSC)
Editor MARTIN SHARPE
Production Design GARY MACKAY
Costume Design BARBARA DARRAGH
Make-up and Hair DEB WATSON
The Attic (a name which commemorates our first physical location) is, first and foremost, a site for the research students of the School of Museum Studies at the University of Leicester: a virtual community which aims to include all students, be they campus-based and full-time, or distance-learning and overseas. But we welcome contributions from students of museum studies - and allied subject areas - from outside the School and from around the world. Here you will find a lot of serious stuff, like exhibition and research seminar reviews, conference alerts and calls for papers, but there's also some 'fluff'; the things that inspire, distract and keep us going. After all, while we may be dead serious academic types, we're human too.